Entangled ant vision, Bongil Bongil, northern NSW, 2024

photomontage, acrylic paint, fluoro and invisible ink, UV torch, dimensions variable

This work offers a more-than-human perspective by employing a method of combining photomontage with drawing. It critiques the human tendency to perceive the world in terms of binaries such as human/nature. Could it be argued that the scientific classification of the natural world has reinforced such binaries? The removal of organisms from their entangled setting for study in sterile lab conditions has enriched scientific understanding, but used alone, could this approach miss details of connection and interaction? Perhaps such details may be noticed and understood more deeply through slow non-invasive observation within their natural environment.

The ‘scientific gaze’ has historically used vision to reinforce its claim to objectivity. This is countered by the work’s feminist gaze, acknowledging my situatedness and adopting humility and slowness to perceive the liminal details of an alternate viewpoint – that of an ant. The ant’s ground level perspective reveals details of her world that are normally hidden from a human viewpoint. The hues of green, blue, yellow and ultraviolet reflect the visual spectrum of the Australian bull ant, a large ant that uses her exceptional vision instead of pheromones for navigation and hunting. Using a black light, ultraviolet is illuminated in hand-drawn elements in invisible ink and UV paint (lower image). The crisp foreground blurs as it recedes to reflect the bull ant’s visual distance of around 1.5 metres. It is hoped that this speculative interpretation of more-than-human vision will inspire wonder at the entanglements between living matter at macro level.

The photomontage was slowly constructed into over 90 layers using macro photographs that were taken during in-situ observation in Bongil Bongil National Park, south of Coffs Harbour, NSW. The organisms in the work were identified with assistance from the citizen science platform iNaturalist, and are listed at the bottom of this page.

The mock-up below illustrates the project’s planned final design – to offer an immersive experience of the ant’s scale and perspective. The immersive experience will be augmented by an original audio track based on the ant’s ability to sense vibrations in place of conventional sound.

What is in the collage?

European honey bee, Apis mellifera (foreground)

Red-tipped shadefly, Argiocnemis rubescens (top left)

Australian Orchard Swallowtail butterfly, Papilio aegius aegius

Ant, genus Pseudoneoponera (lower right)

Pony ant, genus Rhytidoponera

Jumping Jack bull ant, Myrmecia nigrocincta

True bug, Ectomocorus ornatus (foreground)

True bug, Poecilometis gravis

Stink bug, Poecilometis cooki

Common Assassin bug, Pristhesancus plagipennis

Longhorned beetle, Coleoptera, subfamily Prioninae

Bess beetle, family Passilidae

Beetle, Platycorus

Leaf beetle, genus Oides (x 3)

Marchfly, family Tabinidae

Cicada (shell)

Grasshopper, Coryphistina

Giant water spider, Megadolomedes trux

Horsehair worm, Phylum Nematomorpha

Leech, subclass Hirudinea

Earthworm, Lumbricus terrestrus

Sulphur-crested cockatoo, Cacatua galerita

Yellow-faced whipsnake, Demansia psammophis

Plants

Grey gum, Eucalyptus propinqua

Scribbly bark gum, Eucalyptus haemastoma

Grevillea

Crofton weed, Ageratina adenophora

Forest lobelia, Lobelia trigonocaulis

Ponysfoots, genus Dichondra

Shrub, Dogbane family

Cabbage tree, genus Cordyline

White root, Lobelia purpurascens (orchid-like)

Elkhorn fern, Platycerium bifurcatum

Fern, genus Pyrrosia

Birds nest fern, Asplenium nidus

Candle vine, Pothos longipes

Tapevine, Stephania japonica

Climbing Guinea flower, Hibbertia scandens

Dogbane vine, family Apocynaceae

Boletes mushrooms, family Boletaceae

Bracket fungi, family Polyporaceae

RHS: details of the collage show the black light torch highlighting invisible and fluoro inks to reveal some of the organisms.

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